Zarina Bhimji

Whitechapel Art Gallery, 19 January - 9 March 2012, Galleries 1, 8 & 9

Zarina Bhimji

Landscapes and buildings haunted by their layered histories are the protagonists in British artist Zarina Bhimji’s photographs and large-scale film installations. India and East Africa are the repeat locations for her poetic foray into the archaeology of place.

This first major survey exhibition traces 25 years of Bhimji’s work. It opens with the premiere of her long-awaited film, YellowPatch (2011), inspired by trade and migration across the Indian Ocean. Desolate yet beautiful close-up images of abandoned Haveli palaces and colonial offices in Mumbai harbour give way to atmospheric renditions of the desert and the sea, all accompanied by an evocative soundtrack. Yellow Patchcomplements the renowned film Out of Blue (2002), an arresting visual journey across Uganda, its elegiac terrain disturbed by the sound of fire, birds and human voices.

Zarina Bhimji was born in Mbarara, Uganda in 1963 to Indian parents, and moved to Britain in 1974, two years after the expulsion of Uganda’s Asian community in the Idi Amin era. She was nominated for the Turner Prize in 2007.

Rarely seen earlier works are presented alongside these ambitious film narratives. Combining black-and-white photographs with colourful spices, She Loved to Breathe- Pure Silence(1987), comments on controversial immigration protocols in Britain during the 1970s, while photographs taken in the Victoria and Albert Museum’s Gamble Room and its galleries of Indian art in 1989 pay a tender tribute to this treasure trove of late nineteenth-century Britain.

Lightboxes and large format photographs from Cleaning the Garden (1998), first commissioned for Harewood House, Leeds, and the Love Series (2001–06), panoramic photographs rooted in the research for Out of Blue (2002) are also on view.

Admission free

Zarina Bhimji is organised in collaboration with Kunstmuseum Bern.

Yellow Patch (2011) simultaneously premieres at The New Art Gallery Walsall.

Supported by Amrita Jhaveri, Karima and Gaurav Burman and the Acne White/Art T-shirt Project.

Images:

Bapa Closed His Heart, It Was Over. 2001-2006. Ilfochrome Ciba Classic Print.121.9 x 154.4 cm. Courtesy the artist and DACS, London. Shadows and Disturbances. 2007. Ilfochrome Ciba Classic Print. 127 x 160 cm. Courtesy the artist and DACS, London. Your Sadness is Drunk. 2001-2006. Ilfochrome Ciba Classic Print.121.9 x 154.4 cm. Courtesy the artist and DACS, London. 

The WORCESTER PARK Blog: The Lost World of Worcester Park House

Republished from:

The WORCESTER PARK Blog: The Lost World of Worcester Park House:  Blog reader and keen local historian Jeff has sent me this rarely-seen aerial photograph of Worcester Park taken in the summer of 1937. It was captured by Charles Brown, who took the photograph because the newly-formed Cuddington Residents Association were fighting a plan to develop the site.

Local history buffs... will of course recognise the property as 'Worcester Park House'. (It replaced the 1607 building by the 4th Earl of Worcester. This house was...)Constructed in 1795, the imposing Worcester Park House was inhabited from 1875 by about 8 unmarried brothers and sisters who lived there in some style.


Jeff has investigated the history of the house and has pieced together the story of its final occupants. His research has uncovered that by 1937 there were only two occupants left and in July 1937 when this photo was taken one of them, Nina Wheeler, died.
The last remaining occupant, Laura, laid off the 8 servants and had moved out by 1938 leaving the 30 room House empty. The photo by Charles Brown is believed to be the last ever picture of Worcester Park House in its full glory.
After Laura moved out, the house was never again inhabited. One of the wings was hit by a bomb in the war and in 1948 the whole place burnt down. The ornamental lake dried up, the ornatebalustraded bridge collapsed and nature reclaimed her own.
Much of the area today is almost impenetrable wilderness. There have been some incursions: theHogsmill Tavern in the 1950s and in the 1970s two housing developments and two special needs schools but about the majority of the estate remains as wilderness.
The area is owned by Epsom and Ewell Council who have distant plans to develop the area with 'social housing and amenities'.
Jeff told the Worcester Park Blog:
'There will be a hell of a fight if they try as it is the 'lungs' of this end of Worcester Park helping to counteract pollution from the Kingston and Ewell bypasses.

When the time comes we will probably find an endangered species of newts in the area to prevent development, even if we have to introduce the newts ourselves!"

Today, only a few discernable remnants of Worcester Park House can be found:
"If you've ever driven down Church Road/Old Malden Lane you will have noticed the ruined house on the right before the hauliers yard, that's Worcester Park Lodge which was the stables of Worcester Park House and stands opposite what was the main entrance to the grounds of Worcester Park House.

I've made two incursion in there from the Grafton Road side but the area where the house, ponds and bridge were couldn't be reached due to a boggy ditch and impenetrable brambles so next time I shall enter it by the opening next to the Hogsmill Tavern."

The area once occupied by Worcester Park House became a popular destination for generations of adventurous school kid explorers particularly in the 1940s, 1950s and 1960s.
Perhaps readers of the Worcester Park Blog have their own childhood recollections of the Lost World of Worcester Park House (and grounds)?..

Xcavate! Dorset's Community Archaeologist: Community archaeology publication

Xcavate! Dorset's Community Archaeologist: Community archaeology publication: This is the publication from the 2006 conference at the Institute of Archaeology, UCL. It is an assessment of the aims, results and validit...

Putting participation back into archaeology ---Christ Tripp is an inspiration (if a tad hippyish, sigh). Anyroad-up PARTICIPATION is a legal requirement for Landscape policy, now we've signed up to the European Landscape Convention (click here for more) . But how much Participation is actually takes place?