Friday 30 March 2012

Landscape of Religious Tolerance in the UK

The landscape of religious tolerance... may be mapped in space and time. In the UK there have been step changes to which religious groups were tolerated at different points in time, and the creation of a visible religious presence, permanent landmark buildings and graveyards, etc, may be traced and mapped from those dates. One such date is the "Act of Toleration" 1689, when the condition of accepting a foreign king (William) after the Glorious Revolution ousted his Catholic predecessor, was the toleration of protestant sects other than the Established Church of England. From that very year, Friends (Quaker) Meeting Houses appear, as in Stourbridge

Friends Meeting House and 1689 and ring road
Friends Meeting House Stourbridge, built 1689 http://www.flickr.com/photos/david_sankey/6749891977/

Friends Meeting House
Friends Meeting House, Stourbridge, built 1689  http://www.flickr.com/photos/david_sankey/6749889403
Old Quaker burial grounds had no headstones or permanent marks, and so may appear just as playing fields in a modern city, as at Vallance gardens in the East End of London


Similarly, it is not until the late 18th-century, and association with violent revolution has wained after the 1745 Jacobite rebellion, that Catholic Chapels start to be built as open buildings for townsfolk, and then mostly not until the first years of the 20th-century, when they often have an outward appearance similar to Non-Conformist Chapels
Old Catholic Chapel, Ennis
 Old Catholic Chapel in Ennis


Old Velho Cemetery, Mile End, London. Opened 1657
Amongst the oldest non-Christian religious community to establish a presence on the landscape were the Jews. The Old Velho cemetery in Mile End, London, was opened the year that they were officially allowed to settle in Britain 1657. Here the gravestones are flat, as has been the custom from them until now, amongst the Sephardic Jews


 The first sizable Muslim community were Lascars, mainly Bengali sailors who settled around ports since the 18th century. Muslim worship was legalised by the Trinitarian Act of 1812, but places of worship were mostly ad hoc premises, rooms in peoples houses, etc. It was not until the sacrifice of young men in World War 1 that a cemetery was opened with a specific Muslim identity at Horsell Common
File:Muslim Burial Ground TQ0159 224.jpg
Horsell Common Cemetery

File:Shah Jahan Mosque TQ0159 214.jpg
 Shah Jahan Mosque was built in 1889
The cemetery was built near the Shah Jahan Mosque, the oldest purpose-built mosque in the UK, constructed in 1889. It was built by Dr Gottlieb Wilhelm Leitner, born of Jewish Parents in Pest, Hungary, studied in Maddrasahs in Istanbul, who established an institute that awarded degrees from the University of the Punjab -- all during the age of the British Empire.

There has been an explosion of landscape changes in this age of tolerance towards many, if not all, faiths.
London Peace Pagoda, Battersea
Buddhist Peace Pagoda - now a landmark on the Thames
The Nipponzan Myohoji Buddhist Order as part of the 1984 Greater London Council (GLC) Peace Year, built a Pagoda that is now a landmark on the Thames at Battersea. And Former Beatle George Harrison donated a historic country house and gardens to Hare Krishna   

   
   

Wednesday 28 March 2012

National Trust, Council for British Archaeology and Institute for Archaeology cautiously welcome UK Gov'ts National Planning Policy Framework.... for now

The National Trust and Council for British Archaeology have responded to the UK government's  "National Planning Policy Framework" - a small document that sweeps away a series of specific planning policies. The NT, in particular, campaigned vigorously against the original proposals, but have cautiously welcomed the amended "Framework". The following is the text of the National Trust  "Wordpress" statement , the CBA's Britarch statement and the IfA's response.   I suspect they think this is the best formulation that can be obtained from the present government, not that it represents a solid framework for future planning.

Government has listened to public concerns on planning


Well, the day has finally come. The Government has published its National Planning Policy Framework (NPPF) and we welcome improvements which have been made to the draft.
Here’s our Direct0r-General Dame Fiona Reynolds’ take on it in her own words:
“There are a number of important changes that have been made to the draft, responding to concerns that we and others raised.
These include:
  • the primacy of the plan is confirmed, ensuring that development must be consistent with the plan
  • better definition of sustainable development, based on the 2005 sustainable development strategy
  • the insertion of references to the use of brownfield land and theneed to promote town centres
  • removal of the incendiary default ‘yes’ to development where there is no plan
  • reference to the ‘intrinsic character and beauty of the countryside’, recognising the importance of countryside outside designated areas
  • confirmation that existing plans will remain in force while the new NPPF is introduced, and that there will be a one-year transition for the preparation of new plans
“All these changes improve the document and give it a better tone and balance.
“Now the serious business of planning begins. The country needs huge effort at a local level to get plans in place that properly reflect the integration of social, economic and environmental goals, and protect places people value.
“The National Trust, along with many other organisations and people, will play our part and watch to see how it works in practice.
Over 230,000 people signed our petition against the draft NPPF – a sign of the huge public concern it generated. Now we owe it to them and future generations to get good plans in place to deliver the improved ambitions set out in the new document.”
Download the final National Planning Policy Framework (NPPF – PDF; 1.29 MB) to read in more detail for yourself.
Anything to add? Please feel free to comment and share your concerns below and you can join the conversation with us about planning on Twitter (@nationaltrust) using the #planning4ppl hashtag.
Blog by Kate Joynes-Burgess, Social Media & Communities Manager
#planning4ppl


Council for British Archaeology - Archaeology for all
The Council for British Archaeology's Director, Dr Mike Heyworth said
We welcome the strengthening of the NPPF to reflect a more balanced approach to sustainable development and the importance of the Local Plan as the strategic envelope for neighbourhood planning. It remains to be seen, however, whether 12 months will be sufficient for local planning authorities to put their Plans in place and whether they will be sufficently robust. It is a measure of how far we have come in the last 25 years that there is a chapter for the historic environment in the highest level of national policy-making and that the natural and historic environment appear alongside each other in integrated policies.
We are also pleased that Historic Environment Records (HERs) retain a central place in the information base for planning. This is particularly critical in view of the way that some local heritage services, like those on Merseyside, in Sandwell, Middlesbrough, and Redcar & Cleveland, have recently declined to maintain the Historic Environment Records for their areas. The new policy makes it clear that this is a requirement of national policy as part of the evidence base for planning. The CBA will be pressing these authorities to justify how they can meet the NPPF’s requirements without an HER.
We greatly regret, however, the loss of the Government’s policy objective for planning in PPS5 and the draft NPPF to contribute to knowledge and understanding of our past by capturing evidence from the historic environment. While the new policies are designed to ensure that arcahaeological evidence is secured in a manner proportionate to the importance of heritage assets and the impact on them, it is nevertheless deeply disappointing to see this important principle is no longer explicit in the NPPF. The Government’s aim may be to secure the fabric of our history but knowledge and understanding of their heritage is equally important to local communities.
The CBA is optimistic about new opportunities to work with neighbourhood planning groups to provide advice, information and encouragement for creative local planning that respects and celebrates the heritage. We will be pressing CLG to support the Practitioner Guidance that is essential to underpin the high-level policies in the NPPF, including the importance of the knowledge-gain from archaeological investigation where heritage assets will be lost. Clear guidance to local authorities on the provision of Historic Environment Records will also be needed. Draft Guidance has been in existence for several months and the priority now must be to see this is issued formally with endorsement from the Government.

The Institute for Archaeology says IfA responds to the publication of the National Planning Policy Framework (NPPF)

The Institute for Archaeologists (IfA) is pleased to see that the National Planning Policy Framework (NPPF) for England published today addresses a number of the concerns about the treatment of the historic environment raised by it with Government before, during and after the consultation process. They include
  • recognition that the historic environment makes a positive contribution to society, the economy, our culture and our environment
  • removal of the provision that the default answer to development should be ‘yes’
  • support for Historic Environment Records (and, tacitly, for the dedicated expertise required to support them)
  • clarity that policies in the Framework relating to decision-taking (including those requiring proper consideration of the impact of proposals on the historic environment) apply to Neighbourhood Development Orders as well as other decisions affecting the historic environment
  • clear recognition that the impact of a proposed development on the significance of a heritage asset is a material consideration in determining the application
  • rebalancing the NPPF so that it unambiguously reflects the supremacy of local plans and clearly acknowledges the environmental and social aspects of sustainable development
  • transitional arrangements in Annex 1 to ensure that there is adequate local plan coverage
However, concerns remain, in particular
  • the continued emphasis on economic growth without explicit recognition of the equal importance of environmental and social aspects of sustainable development
  • the continued presence in paragraph 14 of the phrase ‘significantly and demonstrably’ in the presumption in favour of sustainable development unless the adverse effects of development significantly and demonstrably outweigh the benefits. Nonetheless, IfA welcomes the additional rider in paragraph 14 rebutting the presumption where ‘specific policies in the Framework indicate that development should be restricted’ and the implicit recognition that proposals which contravene such policies protecting the historic environment are unsustainable.
The Institute’s Chief Executive, Peter Hinton, said
‘It was essential that the NPPF carried forward the principles of PPS5 to achieve Government’s twin objectives of conserving the historic environment in a sustainable manner and of ensuring wide public benefit from expert investigations of those elements affected by development. While the NPPF may not contain all the provisions we consider necessary to achieve that end, it provides timely support for the historic environment at a time when local authority archaeology and heritage services continue to be under severe pressure. IfA has campaigned hard to ensure that the NPPF has not brought the end of developer-funded archaeology. What we need now is a firm response from Government to those local authorities that mistakenly believe that they can comply with the framework without securing the services of professional historic environment advisors.’
Tim Howard, IfA Policy Advisor, said
‘To support the historic environment chapter of the Framework, a Practice Guide must strongly reinforce the importance of archaeological standards and accredited expertise. It must ensure appropriate protection in practice of both designated and undesignated heritage assets proportionate to their significance. Our draft Standard and guidance for archaeological advice by historic environment services fulfils a similar aim and sets out what is required for the management of archaeology under the Framework.’
IfA will continue to lobby for improvements to the Framework including Government endorsement of supporting guidance.




Monday 26 March 2012

Catalonian/Catalunyan Historic Landscape Characterisation

The Landscape Observatory of Catalonia (Catalunya) has been set up by the regional government to comply with the European Landscape Convention, of which the United Kingdom, along with most of Europe, are also signatories.

PaHisCat is a pilot project on the evolution of landscape. It aims to decipher and diffuse traces of the past that are visible in four different landscapes in Catalonia. It also aims to provide guidelines on territorial, patrimonial and sectoral planning.
PaHisCat complements the results of landscape catalogues in Catalonia in terms of historical background and it has been developed with the Historic Landscape Research Group of the University of Lleida.

PaHisCat, Historic Landscape of Catalonia - Landscape Observatory of Catalonia
Landscape Observatory of Catalonia


London Landscape of Dickens

Old Curiosity Shop, Portsmouth Street, Westminster, London cc97_00915 by English Heritage

Dickens trained nearby, as a clerk in the offices of Mr Molloy, 6, Symond's Inn. 

Dickens London is all around, and many of the places still exist (Lincoln's Inn, where Jarndyce vs Jarndyce court case was conducted).

For an interactive map of Dickens' London CLICK HERE 









The Museum of London has an exhibition of ...Dickens and London Celebrate the 200th anniversary of the birth of Charles Dickens in the first major UK exhibition for over 40 years.
PLEASE NOTE entry to Dickens and London is by timed ticket only. We strongly advise that you pre-book your ticket and arrive early to avoid disappointment.
"The best celebration of Dickens' legacy." ***** The Independent
"The Museum of London’s new exhibition will enthrall." londonist.com
"Great work by the Museum of London on their Dickens and London show. Fine festive value, well researched. A first rater." @mikeexon
Recreating the atmosphere of Victorian London through sound and projections, you'll be taken on a haunting journey to discover the city that inspired his writings.
Dickens and London creative
Paintings, photographs, costume and objects illustrate themes that Dickens wove into his works, while rarely seen manuscripts including Bleak House and David Copperfield – written in the author’s own hand – offer clues to his creative genius.
During your visit you'll discover how Dickens' childhood experiences of London, working in a blacking factory while his father was locked away in a debtor's prison, were introduced into the stories he wrote. The great social questions of the 19th century, including wealth and poverty, prostitution, childhood mortality and philanthropy, are also examined, all of which set the scene for Dickens' greatest works.
First edition of Bleak House with conservor © Ally Carmichael
Highlights of the exhibition include an audio-visual experience bringing to life the famous painting of Dickens' Dream at the desk and chair where he wrote his novels, and a specially commissioned film by one of the UK’s leading documentary filmmakers, William Raban, which explores the similarities between London after dark today and the night time city described by Dickens over 150 years ago.
Read more in our exhibition leaflet available online via Scribd here (external link) or plan your visit with our exhibition guide also available via Scribd here(external link).
Book tickets now (external link)
Ticket prices
* PLEASE NOTE once booking fees are added via Ticketmaster advance booking for a single adult is £8.75 (when printed at home) or £9 (when collecting at the Museum) and a single concession exhibition ticket is £6.75 (when printed at home) or £7 (when collecting at the Museum). To obtain the advance price for a single adult or concession ticket please call the Museum of London box office on 020 7001 9844.
Flexible family tickets
Pre-booking competition
Friends
Groups
Receive 1/3 off river travel with Thames Clippers
Offer valid between 10am and 4pm, Monday to Sunday and cannot be used in conjunction with any other offer or discount. This offer is not available online and is not redeemable on The O2 Express or Late Night Services. Offer valid until 10 Jun 2012.

Adult £8 (£7 advance booking*)
Child/concession £6 (£5 advance booking*)
Under 5s FREE
Friends FREE (book in advance on 020 7001 9844)
Art Fund members £4 (on presentation of a valid membership card)
Family of 3 (at least one adult and one child) £18 (£15 advance booking) 
Family of 4 (at least one adult and one child) £24 (£20 advance booking) 
Family of 5 (at least one adult and one child) £30 (£25 advance booking) 
Family of up to 6 (at least one adult and one child) £36 (£30 advance booking)
Suggested age 11+
Timed ticketing and booking fee apply. Advance rates available up to 24 hours prior to your visit. If you wish to purchase tickets less than 24 hours in advance of your visit please contact the Museum of London Box Office on 020 7001 9844 to check availability.
Be sure to buy your ticket from one of our accredited ticket merchants: Ticketmaster (primary agent), Time Out, Superbreak, Chancery Court Hotel. 
Pre-book for the Museum of London’s Dickens and London exhibition via Ticketmaster and be in with a chance to win a unique London experience for 2 people!
Find out more about this competition
Friends of the Museum of London receive FREE entry to Dickens and London.
Click here to find out more about becoming a Friend of the Museum of London
Groups of 10 or more people will receive 20% off full-price adult admissionwhen booked in advance. Themed tours and curator talks for groups are also available, please contact 020 7001 9844 for more details.
Find out more about group visits to the Museum of London
Travel to the Museum of London by river with Thames Clippers, departing every 20 minutes from London Eye (Waterloo), London Bridge and all major London piers to Bankside Pier.
Simply show your Dickens and London ticket or confirmation email when purchasing your Thames Clippers single ticket to receive 1/3 off (usual price £5.50)
Thames Clippers logo

Friday 23 March 2012

Royal River, Power Pageantry Exhibition... or Spectacle and the Appropriation of Landscape



Canaletto, Greenwich Hospital from the North Bank of the Thames, c 1750–2 National Maritime Museum, London
Canaletto, Greenwich Hospital from the North Bank of the Thames, c 1750–2 National Maritime Museum, London

Guy Debord's "The Society of the Spectacle" dealt with the commodification of experience in the modern world. But clearly, Spectacle was innate in the application of power in the ancient world, Middle Ages, and the Renaissance. This exhibition documents have appropriated the landscape of the Thames to create a linear theatre of pageantry, combining security for the elite with maximum exposure, broadcasting in an age before broadcasts

"From London’s birth, royalty have looked to the Thames to display their power, patronage and pageantry to  a city and a people intimately and inextricably connected to the water."
Royal River explores the relationship between the monarch, the City and the people, as it was brought to life on the Thames – London’s greatest thoroughfare.

Don't miss

Taking in the palaces, processions, parties and promenades that made the London we know today, Royal River brings together paintings, manuscripts and rare and beautiful objects. Among the items are Handel’s autographed score for the Music for the Royal Fireworks, the magnificent stern carvings from the Royal Yacht Victoria and Albert III and a remarkable collection of artworks by Canaletto.

Location

Tel: +44 (0)20 8858 4422 | Contact and enquiries
View map
National Maritime Museum
Romney Road, Greenwich
London SE10 9NF



Get here | road | tube & rail | cycle | bus | river

£5 with National Art Pass (standard entry £10)
Open daily, 10am – 5pm (last admission 4.30pm)


see also Painted Hall/Chapel Old Naval College  for Free
Painted Hall ceilingCanary Wharf from Greenwich UniQueen's House and Observatory from Greenwich UniGreenwich Uni (Ex Naval College/Hospital)  ChapelGreenwich Uni (Ex Naval College/Hospital) Chapel

Londinium - the iphone version

Monday 19 March 2012

London Mayoral Elections £3billion on social housing at stake

This years Mayoral elections in Greater London have an added importance. The Tory/LibDem coalition government have granted the Mayor an extra £3billion to spend on social housing under Eric Pickles Localism Bill as the Mayor takes on new responsibilities for housing and regeneration (click here for more). So depending what kind of Mayor you vote for - might depend what kind of housing you get! Time to scrutinise those candidates harder  (click here  for candidate list)
East End Dwellings (co Ltd) by david sankey

housing over hertford union cut by david sankey
housing over hertford union cut, a photo by david sankey on Flickr.

This And That by Dave Gorman
This And That, a photo by Dave Gorman on Flickr.  (student housing blue - social housing brick)

Friday 16 March 2012

Liberty Hall, a new landmark building for Dublin?



Individual landmarks have a powerful influence over great tracts of land, and towns and cities. One such is Liberty Hall in Dublin. The name is redolent of purpose. This place is intended to be of far wider significance than the form and fabric of a building. SIPTU, the trades union inheritors of this building have obtained planning permission to demolish the existing 16-storey building and construct a 22-storey tower with greater facilities for the public (theatre, heritage centre, viewing platform)
The current 1960s building was the tallest building in Dublin and commands views along the river Liffey (building on the left behind the Ha'penny Bridge, click here for more). Although more recently taller buildings have been constructed, a general antipathy to tower blocks has meant that Liberty Hall remains an icon building, one that is used by Dublin citiens and visitors to orientate themselves physically (and arguably socially?).

The origin of its prominent position was in an earlier Liberty Hall, headquarters of the Irish Transport and General Workers Union, who led the wider Dublin trades union movement through a general lockout in 1913, under the leadership of Jim Larkin (A statue of whom stands prominently in O'|Connell Street, right  click here for original) and James Connolly.

They went on to form -under the leadership of James Connolly- the Irish Citizens Army and the original Liberty Hall became a command and control centre (as well as an armoury) for the 1916 Easter uprising, which proclaimed an independent republic and from which the modern Irish state traces its origin.


SINN FEIN RISING - LIBERTY HALL  (film opens in new window)





Liberty Hall by National Library of Ireland on The Commons
Irish Citizen Army outside Liberty Hall, lined up under a banner proclaiming "We serve neither King nor Kaiser, but Ireland!"
NLI Ref.: Ke 198



View Liberty Hall in a larger map

Thursday 15 March 2012

Altab Ali Park - placemaking, -naming and identity in Whitechapel






Max Levitas, (Communist councillor of the former Stepney Borough, of Jewish heritage) a veteran of the 1936 Battle of Cable Street, addresses the crowd at Altab Ali Day, May 4th 2012, from the Shaheed Minar, a copy of the Bangladesh memorial to the Bengal language martyrs of the 1950s. For more photos click here

 click here for photos
Altab Ali Park has been has been revamped to designs by MUF ArtArchitecture.  The Park was named after a local clothing worker who was brutally murdered by racists in the 1970s  in Adler Street (named after a famous rabbi). It was formed out of the churchyard for St Mary Matfelon (photo of the 19th-c church left, after a fire). A great many famous - or infamous - people were buried in the churchyard, including the executioner when  Charles I was beheaded (Richard Brandon , tho' he may not have wielded the fatal blow).
The church is first referred to in the 13th century, though its origin may be substantially earlier than that. It became a parish church in the 14th century and it leant its common name of the White Chapel, to the parish and district of Whitechapel. There are no reliable images of the medieval church, but it is known to have been extended in 1591. The medieval church, with its short square tower, is first shown on the Faithorne and Newcourt map of 1658. In 1673 the medieval church was in such a poor state that it had to be demolished. The new church is clearly shown on the Ogilby and Morgan map of 1676. Burials ceased in the churchyard in 1854 and in the 1870s the church was rebuilt again. The remains of the medieval church were discovered in the 1870s after the demolition of the 17th-century church. Observations were recorded by George Birch who stated “on removing the brick walls of the seventeenth century church it was found that they had been entirely built on the old walls of the medieval church”. The new church was barely built when it suffered a fire (pictured) and was rebuilt to look the same. This church was bombed during WW2.
The park was rejuvenated by High Street 2012 and the park reopened formally on March 12th 2012
The design of the new park was informed by an archaeological evaluation

Community dig

and watching brief


St Mary's Church, WhitechapelArtist Kristiina Sandoe's view of...Architecture Student Mary's view...Worked Stone RubbingsRubbing of 19th-c church foundationArt Student Lerryn Whitfield rubbing 19th-c church wall, see http://www.youtube.com/user/SE5club for more of her work
MUF Art Architecture table with donated objects and information panelsEast side of the excavation, looking southeastEast wall and vault of 1670s St Mary Matfelon (red brick) and south wall of 1860s church (yellow brick)South wall of 1670s St Mary Matfelon and demolition or construction surface (red dust) + possible "grubbed out" earlier stone built "White Chapel"Lerryn Whitfield creating a rubbing of 19th-c wall (see http://www.youtube.com/user/SE5club for more of her work)Side view of old attached column base or capital
South wall of St Mary Matfelon, crushed bit surface and grubbed-out remainsrecovered masonry from church, attached column base (or capital?)cornerstone or quoin with masons marktwo-inch thick late medieval or Tudor brick with sunken marginMUF Art StoriesLerryn Whitfield preparing a rubbing
Niche or vent into the vault at the east wall of 1670s-built St Mary's, Whitechapel



Art-off at Altab Ali Park, a set on Flickr